Classic Gunfights

Black Bart’s Bad Day

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November 3, 1883

The Sonora-Milton stage rattles along, empty, save for the driver. Reason E. McConnell has been on the road for three hours since he stopped at the Patterson Mine, near Tuttletown, California.

There he picked up $4,200 worth of amalgamated gold. The Wells Fargo box also contains $500 in gold coin and $64 in raw gold.

McConnell finally reins up in front of the Reynolds Ferry Hotel, nestled along the banks of the Stanislaus River. Jimmy Rolleri, the hotel manager’s 19-year-old son, exits the hotel and exchanges the outgoing mail for the incoming. Glancing at the empty coach, Rolleri asks if he can catch a ride up the hill at the opposite side of the river. A traveler who had stopped at the hotel the previous night reported seeing “two big bucks up there on the flat above Yaqui Gulch,” he says.

McConnell tells the boy to grab his gun, and Rolleri returns with a “well-worn but serviceable .44 Henry rifle.” With the help of Henry Requa, the two successfully ferry the stage across the river. Requa returns the ferry to the hotel side of the river, and Rolleri jumps up on the box with McConnell, who slaps the reins of his team, encouraging them up the steep approach to Funk Hill.

Halfway up, Rolleri asks McConnell to slow down. He jumps off with his rifle, thanks McConnell for the lift and heads out into the underbrush to hunt for the big bucks.

The six-horse team continues on, struggling up the steep grade for another 30 minutes. As the stage rounds the head of Yaqui Gulch, with the ridge line in sight, the lead horses snort and rear in fright when a lone, hooded figure, shotgun in hand, leaps onto the roadway.

Wearing a dirt-smudged duster and a flour sack with eye holes cut into them, the highwayman demands the Wells Fargo box be thrown down. McConnell informs the robber it’s bolted down. The outlaw tells the driver to unhitch his team, but McConnell protests, fearing the stage will roll down the hill due to its bad brakes. The robber’s solution is for McConnell to wedge rocks behind the wheels, but the driver brashly pushes his luck by demanding,“Why don’t you do it?”

Incredibly, the hooded robber keeps his shotgun trained on the driver, picks up several stones and blocks the back wheels. McConnell then unhitches the team and leads it uphill. “If you don’t want to get shot,” the robber warns him, “don’t come back or even look back in this direction for at least one hour.”

As he departs, McConnell hears the robber banging away at the strongbox. Sneaking glances behind him, he can’t see the brigand, who has probably crawled into the stagecoach.

Two hundred yards from the stage, McConnell stops to catch his breath when downhill movement catches his eye. It’s Rolleri, the Henry rifle in the crook of his arm, moving across an open swale of land about 300 yards below. Tying his team to an oak tree, McConnell runs downhill as quietly as he can, frantically waving his hat until he gets Rolleri’s attention.

Coming up the hill, Rolleri thinks McConnell has discovered the deer. But the driver fills him in on the situation, and the two warily approach the stage with the intent of capturing the outlaw, or killing him. When they get within 100 yards, the bandit suddenly emerges from the stage and spots them. The outlaw throws a sack over his shoulder and starts to run.

McConnell borrows Rolleri’s rifle and fires twice, missing the robber both times.

“Here, let me shoot,” young Rolleri says. “I’ll get him, and I won’t kill him either.” With Rolleri’s shot, the outlaw stumbles, but he vanishes into the underbrush with his booty.

When the county sheriff and a Wells Fargo detective arrive, they discover what the brigand left behind in his hasty retreat: a derby hat, three pairs of cuffs, an opera glass case and a silk crepe handkerchief with the laundry mark “F.X.O.7.” on it.

After eight years and 28 successful stage holdups, this last item will prove to be Black Bart’s undoing.